"Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen"" by Richard Strauss, Julie Kaufmann, Olaf Bär, Edita Gruberova, Gewandhausorchester Leipzig, Kurt Masur was released on January 1, 1988. The duration of Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Strauss, R.: Ariadne auf Naxos". In this album, this song's track order is #11. In terms of popularity, Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen" by Richard Strauss, Julie Kaufmann, Olaf Bär, Edita Gruberova, Gewandhausorchester Leipzig, Kurt Masur having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: "Rofrano! Rofrano!" - "Mir ist die Ehre widerfahren" | Richard Strauss, Irmgard Seefried, Rita Streich, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm, Chor der Staatsoper Dresden | G Major | 1 | 9B | 64 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM |