"Roll Over Beethoven: II. Andantino" by John Adams, LSO Percussion Ensemble, Philip Moore, Joseph Havlat had its release date on February 15, 2019. This song appears to be safe for all ages as it is not explicit. The track order of this song in John Adams, LSO Percussion Ensemble, Joseph Havlat, Philip Moore's "John Adams: Roll Over Beethoven" album is number 2 out of 2. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Roll Over Beethoven: II. Andantino's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Roll Over Beethoven: II. Andantino by John Adams, LSO Percussion Ensemble, Philip Moore, Joseph Havlat to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Gnoissienne No 3 | Francis Poulenc | A Minor | 1 | 8A | 132 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | B Minor | 0 | 10A | 85 BPM | ||
Matty Drawing | Balanescu Quartet | A Minor | 0 | 8A | 68 BPM | ||
Adams: The Chairman Dances (Foxtrot for Orchestra) | John Adams, Edo de Waart, San Francisco Symphony | G Major | 3 | 9B | 155 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM |