"Le nozze di Figaro, K. 492 / Act 1: "Bravo, signor padrone...Se vuol ballare...Ed aspettaste"" by Wolfgang Amadeus Mozart, Samuel Ramey, Kurt Moll, Jane Berbié, London Philharmonic Orchestra, Sir Georg Solti was released on January 1, 1982. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Thomas Allen, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti's "Mozart: Le Nozze di Figaro" album is number 4 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Le nozze di Figaro, K. 492 / Act 1: "Bravo, signor padrone...Se vuol ballare...Ed aspettaste" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act 1: "Bravo, signor padrone...Se vuol ballare...Ed aspettaste" by Wolfgang Amadeus Mozart, Samuel Ramey, Kurt Moll, Jane Berbié, London Philharmonic Orchestra, Sir Georg Solti to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile | Wolfgang Amadeus Mozart, Kammerakademie Potsdam, Antonello Manacorda | F Major | 0 | 7B | 78 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 77 BPM |