Johann Sebastian Bach, Boston Baroque, Martin Pearlman made "Suite No. 3 in D Major, BWV 1068: II. Air" available on April 27, 2004. With this song being about 5 minutes long, at 4:41, "Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Boston Baroque, Martin Pearlman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 24 in Bach: The Complete Orchestral Suites by Johann Sebastian Bach, Boston Baroque, Martin Pearlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Suite No. 3 in D Major, BWV 1068: II. Air's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Boston Baroque, Martin Pearlman is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XVI. Alla breve | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 1 | 9A | 106 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | C Minor | 1 | 5A | 83 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Cello Concerto in G Minor, RV 416: III. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 1 | 6A | 135 BPM |