"Graduale: Christus Factus Est, Modo V" by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo was released on December 31, 1995. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Graduale: Christus Factus Est, Modo V's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Graduale: Christus Factus Est, Modo V by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Új arcok a feszületen | Popular | F♯ Major | 7 | 2B | 115 BPM | ||
Agnus X | Choeur des moines de l’abbaye Sainte-Anne de Kergonan | G Major | 1 | 9B | 96 BPM | ||
Unul Sfant / One Is Holy | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
Prochimen Cine Este Dumnezeu / Great Prokeimenon Who Is so Great as Our God | Byzantion | D♭ Minor | 2 | 12A | 127 BPM | ||
Blessed Be The Name Of The Lord | Kiev Chamber Choir | F♯ Major | 1 | 2B | 137 BPM | ||
Salve Regina | Benedyktyni Opactwa Tynieckiego | D Major | 1 | 10B | 81 BPM | ||
Offertoire: Recordàre | Coro Francescano di Assisi | D♭ Major | 1 | 3B | 141 BPM | ||
Meddley: Defte Lai (Byzantine Chant XIII C.), Aksion Estin [Byzantine Chant XV C.], Hristos Anesti [Byzantine Traditional Chant] | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 3 | 12B | 82 BPM | ||
Una hora non potuistis, ITV 143: No. 1, Una hora non potuistis vigilare mecum | Tomás Luis de Victoria, Pro Musica, Szabó Dénes | G Minor | 1 | 6A | 85 BPM |