Antonio Vivaldi, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni made "Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella" available on May 1, 2012. Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. This song is part of Vivaldi: Opera Arias by Antonio Vivaldi, Roberta Invernizzi, Fabio Bonizzoni. The song's track number on the album is #6 out of 14 tracks. Based on our data, Spain was the country where this track was produced or recorded. Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella by Antonio Vivaldi, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 5 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 3 | 8A | 90 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 83 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Concerto en si mineur pour 4 violons, violoncelle, cordes et basse continue, Op. 3 No. 10, RV 580: I. Allegro | Antonio Vivaldi, Michelle Seto, Mathieu Lussier, Benoît Loiselle, Maud Langlois, Noëlla Bouchard, Véronique Vychytil, Les Violons du Roy | B Minor | 3 | 10A | 122 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM |