"Vissi D'arte (Tosca)" by Renata Tebaldi, Orchestre de la Suisse Romande had its release date on March 3, 1950. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 22 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Vissi D'arte (Tosca) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vissi D'arte (Tosca) by Renata Tebaldi, Orchestre de la Suisse Romande to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Si, Mi Chiamano Mimi (La Bohème) | Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala | D Major | 2 | 10B | 82 BPM | ||
Il barbiere di Siviglia / Act I: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 135 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
O Lola - Cavalleria rusticana | Giuseppe Di Stefano | A Major | 0 | 11B | 92 BPM | ||
Don Giovanni, K. 527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Fernando Corena, Wiener Philharmoniker, Josef Krips | D Major | 2 | 10B | 83 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM |