"楽劇「トリスタンとイゾルデ」: 第3幕 愛の死" by Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner was released on November 6, 2020. 楽劇「トリスタンとイゾルデ」: 第3幕 愛の死 appears to be safe for all ages as it is not explicit. There is only one song in ワーグナー・ザ・ベスト, so we believe that "楽劇「トリスタンとイゾルデ」: 第3幕 愛の死" is a single. 楽劇「トリスタンとイゾルデ」: 第3幕 愛の死 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 楽劇「トリスタンとイゾルデ」: 第3幕 愛の死 by Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troyens, Op. 29, H 133, Act V: No. 38. "Vallon sonore" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 75 BPM | ||
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude: In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E♭ Major | 7 | 5B | 127 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM |