Eric Schmidt, Jonathan Rosenberg's 'Kapitel 69.2 & Kapitel 70.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. With this song being about 5 minutes long, at 5:13, "Kapitel 69.2 & Kapitel 70.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #96 out of 137 tracks. Kapitel 69.2 & Kapitel 70.1 - Wie Google tickt - How Google Works is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 69.2 & Kapitel 70.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 69.2 & Kapitel 70.1 - Wie Google tickt - How Google Works being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
Te Deum, Op. 103, B. 176: 1. Te Deum laudamus | Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 1 | 9B | 166 BPM | ||
Con amores, la mi madre | Fernando Obradors, Ruth Ann Swenson | F Minor | 0 | 4A | 138 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Tantum ergo in E-Flat Major, D. 962 | Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | B♭ Major | 1 | 6B | 82 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM |