John Baxter, Thomas Morley, The Musicians of Swanne Alley made "Galliard to Sacred End" available on February 7, 2005. With Galliard to Sacred End being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Musicians of Swanne Alley's "Joyne Hands - English Renaissance Music" album is number 17 out of 53. In terms of popularity, Galliard to Sacred End is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Galliard to Sacred End by John Baxter, Thomas Morley, The Musicians of Swanne Alley to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Suite in A Major: I. Prelude | Robert de Visée, Yasunori Imamura | G Major | 0 | 9B | 103 BPM | ||
Clarinas y Trompetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 120 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Tandernaken: The Kynge Henry VIII | Henry VIII, Folger Consort | F Major | 1 | 7B | 139 BPM | ||
Ground in G Minor | John Blow, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Passamezzo sesto | Vincenzo Galilei, Massimo Lonardi | G Minor | 0 | 6A | 130 BPM | ||
Fantasia-Suite No. 8 in D Major: II. Almaine "La goutte" | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |