"Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937)" by Fernando Obradors, Lucrezia Bori, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 43 out of 43. In terms of popularity, Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quijote de la Mancha: Obradors, Consejo (Recorded 1937) by Fernando Obradors, Lucrezia Bori, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 130 BPM | ||
Verdi : Messa da Requiem : VI Quid sum miser | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | C Minor | 0 | 5A | 75 BPM | ||
Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 1, Kornblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Tosca, SC 69: O de beautés égales | Giacomo Puccini, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | F Major | 2 | 7B | 84 BPM | ||
Canciones clasicas espagnolas - Recueil I: III. La guitarra sin prima | Fernando Obradors, Corinne Sertillanges, Daniel Benzakoun | G Major | 0 | 9B | 82 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
L'invitation au voyage | Henri Duparc, Véronique Gens, Susan Manoff | A Major | 1 | 11B | 174 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM |