"Haydn: The Seven Last Words, Op. 51, Hob. XX/1B: Introduzione. Maestoso ed adagio" by Joseph Haydn, Cherubini-Quartett was released on March 15, 2024. Haydn: The Seven Last Words, Op. 51, Hob. XX/1B: Introduzione. Maestoso ed adagio is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 135 in the song's album "The Complete Warner Classics Recordings". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Haydn: The Seven Last Words, Op. 51, Hob. XX/1B: Introduzione. Maestoso ed adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Haydn: The Seven Last Words, Op. 51, Hob. XX/1B: Introduzione. Maestoso ed adagio by Joseph Haydn, Cherubini-Quartett having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, Op. 11 No. 5, G. 275: II. Allegro con spirito | Luigi Boccherini, György Éder, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto For Cello No. 1 In C Major, Hob. VIIb:1: III. Finale. Allegro molto | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | C Major | 2 | 8B | 160 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
String Quartet No. 14 in D Minor, D.810 -"Death and the Maiden": 4. Presto | Franz Schubert, Hagen Quartett | D♭ Major | 1 | 3B | 149 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM |