"The Lark Ascending" by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis was released on September 1, 1987. The Lark Ascending appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 5 & The Lark Ascending by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis. The song's track number on the album is #5 out of 5 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark Ascending by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Piano Concerto No. 21 | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 3 | 7B | 177 BPM | ||
End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM | ||
Betrayal & Desolation | James Horner, London Symphony Orchestra | G Major | 1 | 9B | 84 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
Khachaturian : Spartacus, Suite No. 2: I. Adagio of Spartacus & Phrygia | Aram Khachaturian, Alexander Lazarev, Bolshoi Symphony Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM |