"Mass No. 2 in E Minor, WAB 27: III. Credo" by Anton Bruckner, Choir of King's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields was released on October 16, 2020. Since Mass No. 2 in E Minor, WAB 27: III. Credo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 12 in Bruckner: Mass in E Minor, Motets by Anton Bruckner, Choir of King's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields. In terms of popularity, Mass No. 2 in E Minor, WAB 27: III. Credo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in E Minor, WAB 27: III. Credo by Anton Bruckner, Choir of King's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Bruckner's Welt: Kapitel 3: Chormeister Bruckner | Anton Bruckner, Wiebke Puls, Hans Jürgen Stockerl, Johannes Silberschneider, Friedrich Schloffer | G Major | 2 | 9B | 85 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, John Eliot Gardiner, The Monteverdi Choir, Julian Podger, Ian Watson | D Minor | 0 | 7A | 124 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Messe F-Moll, WAB 28: I. Kyrie | Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM |