"The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee" by Nikolai Rimsky-Korsakov, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch was released on May 16, 2020. With The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 80 in the song's album "Romantic Vol.1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee by Nikolai Rimsky-Korsakov, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 2, Allegro tranquillo e grazioso | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | E Major | 1 | 12B | 73 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM | ||
St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Finnish Radio Symphony Orchestra, Leif Segerstam | A Major | 2 | 11B | 79 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM |