Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Veni creator, S. 14: Veni creator Spiritus' came out on February 4, 2022. The duration of Veni creator, S. 14: Veni creator Spiritus is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Veni creator, S. 14: Veni creator Spiritus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 32 out of 38. On top of that, France appears to be the country where this track was created. The popularity of Veni creator, S. 14: Veni creator Spiritus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Veni creator, S. 14: Veni creator Spiritus by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Presto (very, very fast) because the track has a tempo of 180 テンポ, a half-time of 90テンポ, and a double-time of 360 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM | ||
Les fontaines de Versailles, S. 133, Scene 6: Finissons nos concerts, finissons nos concerts ! | Michel Richard Delalande, Margot Rood, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B Major | 2 | 1B | 80 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Weint nicht um meinem Tod | Johann Bach, Henri Ledroit, Ricercar Consort | D♭ Major | 3 | 3B | 114 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
6 Concerts transcrits en sextuor / 6e concert: 3. L'enharmonique | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM |