Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau's 'L'Histoire de Babar: 2. Dans la grande forêt un petit éléphant est né' came out on 1994. The duration of L'Histoire de Babar: 2. Dans la grande forêt un petit éléphant est né is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. L'Histoire de Babar: 2. Dans la grande forêt un petit éléphant est né's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 11 in Conte pour enfants - Poulenc: L’histoire de Babar, le petit éléphant by Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. L'Histoire de Babar: 2. Dans la grande forêt un petit éléphant est né is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'Histoire de Babar: 2. Dans la grande forêt un petit éléphant est né by Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 2. Vinea mea electa | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 75 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM |