"4 Klavierstücke, Op. 65: No. 2, Etude" by Sergei Bortkiewicz, Carlo Balzaretti was released on 2015. With 4 Klavierstücke, Op. 65: No. 2, Etude being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 5 in the song's album "Sergei Bortkiewicz: Piano Etudes - EP". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. Based on our statistics, 4 Klavierstücke, Op. 65: No. 2, Etude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Klavierstücke, Op. 65: No. 2, Etude by Sergei Bortkiewicz, Carlo Balzaretti having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte I, Op. 19b: No. 6 in G Minor, Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Howard Shelley | G Minor | 0 | 6A | 65 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM | ||
Po zarostlém chodníčku - Series I: III. Pojďte s námi! | Leoš Janáček, Gianluigi Daniele | A♭ Minor | 0 | 1A | 72 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 2. Allegro agaitato | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major. Adagio non troppo, MWV U 104 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
Ravel: La Valse, M. 72b | Maurice Ravel, Aurélien Pontier | D Major | 1 | 10B | 116 BPM | ||
4 Preludes, Op. 22: No. 4 in B Minor, Andantino | Alexander Scriabin, Dmitry Rachmanov | A♭ Minor | 1 | 1A | 69 BPM | ||
Dolly, Op. 56: 3. Le Jardin de Dolly | Gabriel Fauré, Alfons Kontarsky, Aloys Kontarsky | E Major | 0 | 12B | 114 BPM | ||
Nell, Op. 18, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F♯ Major | 0 | 2B | 64 BPM |