"Violin Concerto No.2 "The American Four Seasons" - Movement II" by Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra was released on October 12, 2010. Violin Concerto No.2 "The American Four Seasons" - Movement II appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Philip Glass : Violin Concerto No.2 "The American Four Seasons" (10.4.17)". In this album, this song's track order is #4. Violin Concerto No.2 "The American Four Seasons" - Movement II is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No.2 "The American Four Seasons" - Movement II by Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra having a テンポ of 53 with a half-time of 26 テンポ and a double-time of 106 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Humming Bird Rework | Felix Rösch, mondëna quartet | F Minor | 1 | 4A | 78 BPM | ||
The Screens: 19th Century French | Philip Glass, Foday Musa Suso, Martin Goldray, Benjamin Hudson, Michael Parloff, Allen Blustine, Rex Benincasa, Jerry Grossman | C Minor | 1 | 5A | 123 BPM | ||
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
The Birth Of The Fawn | Philip Glass | C Major | 1 | 8B | 95 BPM | ||
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM |