"Gesproken tekst 13: "Erasmus. De klacht van de vrede" / Muziek: Mille regrets (Viola da gamba)" by La Capella Reial De Catalunya, Hespèrion XXI, Simon Zwiers, Jordi Savall, Johanna Valencia, Fahmi Alqhai, Imke David was released on 2012. The duration of Gesproken tekst 13: "Erasmus. De klacht van de vrede" / Muziek: Mille regrets (Viola da gamba) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Gesproken tekst 13: "Erasmus. De klacht van de vrede" / Muziek: Mille regrets (Viola da gamba)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Gesproken tekst 13: "Erasmus. De klacht van de vrede" / Muziek: Mille regrets (Viola da gamba) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gesproken tekst 13: "Erasmus. De klacht van de vrede" / Muziek: Mille regrets (Viola da gamba) by La Capella Reial De Catalunya, Hespèrion XXI, Simon Zwiers, Jordi Savall, Johanna Valencia, Fahmi Alqhai, Imke David is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto | Vincenzo Capirola, Shirley Rumsey | D Major | 0 | 10B | 81 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Gagliarda | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | G Major | 2 | 9B | 77 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Ductia (CSM 123) instr. | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 2 | 9A | 142 BPM | ||
Psaume 128: Bienheureux est quiconque | Claude Goudimel, Claude Goudimel Ensemble, Christine Morel | G Minor | 2 | 6A | 135 BPM | ||
Saltarello and Piva | Joan Ambrosio Dalza, Shirley Rumsey, Christopher Wilson | C Major | 1 | 8B | 115 BPM |