Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's 'Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court' came out on October 1, 1990. The duration of Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court is about 3 minutes long, at 3:14. Based on our data, "Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 7 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hary Janos Suite: Háry János Suite: VI. Entrance of the Emperor and His Court by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Romeo och Julia Suite, Op. 45 (Arr. H. Rosenberg for Orchestra): III. Gavotte | Wilhelm Stenhammar, Anders Jonhäll, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 2 | 8B | 86 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 6 Sehr langsam | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 184 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Roman Carnival Overture, Op. 9 (Remastered) | Hector Berlioz, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 77 BPM | ||
Variations on a Hungarian Folksong "The Peacock": VI. Calmato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | A Minor | 0 | 8A | 87 BPM | ||
The Seasons, Op. 67: VII. Scene 2, Le Printemps | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | F♯ Major | 1 | 2B | 94 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM |