"Geh'n wit im Chambre Séparée (from "Der Opernball")" by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann was released on June 14, 2011. The duration of Geh'n wit im Chambre Séparée (from "Der Opernball") is about 3 minutes long, at 3:05. Based on our data, "Geh'n wit im Chambre Séparée (from "Der Opernball")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. Geh'n wit im Chambre Séparée (from "Der Opernball") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Geh'n wit im Chambre Séparée (from "Der Opernball") by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 Digital Remaster): Damenwahl! Damenwahl! (Herren/Zeta/Danilo/Hanna/Cascada/St.Brioche/Damen) | Elisabeth Schwarzkopf, Josef Knapp, Philharmonia Orchestra, Eberhard Waechter, Philharmonia Chorus, Kurt Equiluz, Lovro Von Matacic, Hans Strohbauer | G Major | 2 | 9B | 128 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM |