Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung's 'Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 2. Berceuse: La Poupée' came out on June 27, 2020. The duration of Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 2. Berceuse: La Poupée is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 2. Berceuse: La Poupée's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 45 in Bizet: An Introduction by Georges Bizet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 2. Berceuse: La Poupée is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 2. Berceuse: La Poupée by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Carmen, WD 31 (Highlights Sung in German): Euren Toast kann ich wohl erwidern | Georges Bizet, Helena Rott, Elfriede Trötschel, Elisabeth Höngen, Jan Rittel, Josef Hermann, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Karl Böhm | F♯ Major | 4 | 2B | 109 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |