Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton made "The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily…" available on November 1, 2005. The duration of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily…'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton, BBC Singers's "McNeff: Four Tales from Beatrix Potter" album is number 6 out of 46. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Tale of Jemima Puddle-Duck: VI. Jemima landed clumsily… by Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton to be Prestissimo (even faster than presto) because the track has a tempo of 204 テンポ, a half-time of 102テンポ, and a double-time of 408 テンポ. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
The Tale of Squirrel Nutkin: IV. It was autumn… | Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton | B♭ Major | 0 | 6B | 75 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
2117/Hedd Wyn, Act II: Corwynt coch! Corwynt coch! | Stephen McNeff, Llio Evans, Paul Carey Jones, Steffan Lloyd Owen, Meinir Wyn Roberts, Welsh National Youth Opera, Only Boys Aloud, Welsh National Opera Orchestra | G Minor | 0 | 6A | 69 BPM | ||
LISTEEEN | BEILY83 | E Minor | 0 | 9A | 124 BPM | ||
La Catrina | Stephen McNeff, Morgan Szymanski | D Minor | 2 | 7A | 113 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: V. Masks | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
Etudes: IV. Adagio | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Minor | 0 | 4A | 145 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM |