"Pavane, Op. 50" by Gabriel Fauré, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg had its release date on January 5, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg's "Heavensong: Music of Contemplation and Light" album is number 6 out of 15. On top of that, United States appears to be the country where this track was created. Pavane, Op. 50 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pavane, Op. 50 by Gabriel Fauré, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
The Lord's Prayer | Albert Hay Malotte, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 1 | 5B | 67 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Standing On the Promises | Ryan Murphy, The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E Major | 3 | 12B | 87 BPM | ||
As a Shepherd | Mack Wilberg, The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E♭ Major | 4 | 5B | 119 BPM | ||
Arioso (Adagio in G) from Cantata BWV 156 (Arr. by Lloyd Webber) | Julian Lloyd Webber, John Lenehan | G Major | 0 | 9B | 64 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM |