"La rondine: La Rondine, Act I: Chi il bel sogno di Doretta" by Giacomo Puccini, Julia Varady, Berlin Radio Symphony Orchestra, Marcello Viotti was released on January 1, 2016. The duration of La rondine: La Rondine, Act I: Chi il bel sogno di Doretta is about 3 minutes long, at 3:10. Based on our data, "La rondine: La Rondine, Act I: Chi il bel sogno di Doretta" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Puccini: Famous Opera Arias". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. La rondine: La Rondine, Act I: Chi il bel sogno di Doretta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La rondine: La Rondine, Act I: Chi il bel sogno di Doretta by Giacomo Puccini, Julia Varady, Berlin Radio Symphony Orchestra, Marcello Viotti having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus) | Giacomo Puccini, Tito Gobbi, Renato Ercolani, Orchestre De La Socit Des Concerts Du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
E lucevan le stelle - Tosca | Giuseppe Di Stefano | E♭ Minor | 3 | 2A | 82 BPM | ||
Cavalleria rusticana: "Regina coeli laetare" | Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 3 | 9B | 87 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM |