Traditional, Martina Arroyo, Leonard Hokanson made "I stood on the River of Jordan: I Stood on the River of Jordan" available on August 7, 2012. The duration of I stood on the River of Jordan: I Stood on the River of Jordan is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. I stood on the River of Jordan: I Stood on the River of Jordan's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martina Arroyo's "Martina Arroyo: Liederabend 1968" album is number 19 out of 22. On top of that, Germany appears to be the country where this track was created. I stood on the River of Jordan: I Stood on the River of Jordan is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I stood on the River of Jordan: I Stood on the River of Jordan by Traditional, Martina Arroyo, Leonard Hokanson to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM | ||
Audi Filia | Monks Of The Abbey Of Notre Dame | F Minor | 1 | 4A | 133 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Da pacem domine | Traditional, Monks Of The Abbey Of Notre Dame | E Minor | 1 | 9A | 129 BPM | ||
To Thee We Sing | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM |