"Hero & Leander: Come, Thou Glorius Object of My Sight" by Nicholas Lanier, Paul Agnew, Christopher Wilson was released on January 1, 1999. The duration of Hero & Leander: Come, Thou Glorius Object of My Sight is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Hero & Leander: Come, Thou Glorius Object of My Sight's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Lanier, Paul Agnew's "Lanier: Hero & Leander" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Hero & Leander: Come, Thou Glorius Object of My Sight is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hero & Leander: Come, Thou Glorius Object of My Sight by Nicholas Lanier, Paul Agnew, Christopher Wilson to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Gagliarda sesta | Carlo Farina, Musica Antiqua, Christian Mendoze | C Major | 1 | 8B | 83 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Suite in G Major: IV. Sarabande: La du haut Menil | Robert de Visée, Yasunori Imamura | B Minor | 0 | 10A | 94 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum | Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Water Music, Suite No.2, HWV 349: IV. [Rigaudon 1] | George Frideric Handel, B'Rock Orchestra, Dmitry Sinkovsky | F♯ Major | 2 | 2B | 131 BPM | ||
Prime die Lectio secunda: XVI. Peccatum peccavit Hierusalem | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 105 BPM | ||
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM |