"Don Giovanni, K.527, Act I: Quartetto. "Non ti fidar, o misera, di quel ribaldo cor!"" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati, Simone Easthope, Samuel Dale Johnson was released on April 12, 2024. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Golda Schultz, Antonello Manacorda, Kammerakademie Potsdam's "Mozart, You Drive Me Crazy!" album is number 1 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Don Giovanni, K.527, Act I: Quartetto. "Non ti fidar, o misera, di quel ribaldo cor!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act I: Quartetto. "Non ti fidar, o misera, di quel ribaldo cor!" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati, Simone Easthope, Samuel Dale Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantique | Nadia Boulanger, Golda Schultz, Jonathan Ware | D Major | 1 | 10B | 69 BPM | ||
Divertimento In B Flat Major Kv 186: Menuetto | Arts Music Recording, Rotterdam, Jos Buurman, Irma Kort, Henk De Graaf, Johan Steinmann, Dymphna Van Dooremaal, Ron Tyhuis, Sandra Zoer, Jan Jansen, Wolfgang Amadeus Mozart, Martin Van De Merwe, Remco De Vries | E♭ Major | 1 | 5B | 75 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act I: Dieu que le monde révère | Giacomo Meyerbeer, Andreas Bauer Kanabas, Thomas Faulkner, Magnus Baldvinsson, Michael McCown, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": III. Minuet - Trio | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | B♭ Major | 1 | 6B | 182 BPM | ||
L'elisir d'amore, Act I: Chiedi all'aura | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Mozart: Così fan tutte, K. 588, Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Laurence Equilbey, Florian Sempey, Lea Desandre, Sandrine Piau, Insula Orchestra | E Major | 1 | 12B | 65 BPM | ||
La forza del destino, Act III, Scene I: Attenti al gioco, attenti | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | F Major | 0 | 7B | 172 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act IV: Entr'acte - Entrée de la Reine - Marche indienne | Giacomo Meyerbeer, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act IV: Toi ? Mon amant ? | Giacomo Meyerbeer, Claudia Mahnke, Michael Spyres, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM |