Tbilisi Symphony Orchestra, Vakhtang Kakhidze's 'Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7)' came out on January 1, 2003. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Prokofiev, Ballet Highlights; Stravinsky, Ballet Highlights". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7) by Tbilisi Symphony Orchestra, Vakhtang Kakhidze having a テンポ of 157 with a half-time of 78 テンポ and a double-time of 314 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Schleier fiel | Götz Alsmann | D♭ Major | 3 | 3B | 108 BPM | ||
The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Jahni Mardjani, The Georgian Festival Orchestra | C Major | 0 | 8B | 81 BPM | ||
Préludes, Op. 32 : No.12 in G sharp minor | Andrei Ivanovich | E Major | 0 | 12B | 64 BPM | ||
A Likeability Contest | Anne Dudley | C Major | 2 | 8B | 133 BPM | ||
Four Pieces for Piano, Op. 119 : I. Intermezzo in B minor, Adagio | RR, Olga Kopil | D Major | 0 | 10B | 81 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.17 Panorama | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Major | 1 | 9B | 79 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Préludes, Op. 23 : No.5 in G minor | Andrei Ivanovich | B♭ Major | 2 | 6B | 111 BPM |