Piero Cappuccilli's 'Rigoletto - Cortigiani, Vil Razza Dannata' came out on January 1, 1991. With this song being about 5 minutes long, at 4:53, "Rigoletto - Cortigiani, Vil Razza Dannata" by Piero Cappuccilli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #8. Rigoletto - Cortigiani, Vil Razza Dannata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto - Cortigiani, Vil Razza Dannata by Piero Cappuccilli having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem: XIII. Hostias | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" ( Normanno, Enrico, Raimondo, Chorus) | Gaetano Donizetti, Renzo Casellato, Piero Cappuccilli, Bernard Ladysz, Roberto Benaglio, Philharmonia Chorus, Philharmonia Orchestra, Tullio Serafin, Bernard Ladysz, Philharmonia Chorus, Piero Cappuccilli, Renzo Casellato, Roberto Benaglio, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 18: "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | F Major | 1 | 7B | 75 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | F Major | 2 | 7B | 89 BPM | ||
Ponchielli: La Gioconda Act 1: "Figlia, che reggi il tremulo piè" (Cieca, Gioconda, Barnaba) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | G Major | 2 | 9B | 92 BPM | ||
Donizetti: Roberto Devereux: E Sara in questi orribili momenti | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
Don Pasquale, Act I Seconda Scena: Ah! Un foco insolito (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 4 | 8B | 75 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Ho capito, signor, si!" (Masetto) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Piero Cappuccilli, Philharmonia Orchestra | F Major | 4 | 7B | 119 BPM |