Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro)
- テンポ
- 111
- キー
- E♭ Major
- キャメロットミュージックキー
- 5B
Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) - Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani 情報
- 音響性
- 98%
- ダンサビリティ
- 40%
- エネルギー
- 32%
- 手段性
- 12%
- 活気
- 61%
- ラウドネス
- 78%
- 話し言葉
- 5%
- 価数
- 49%
- 人気
- 13%
- ラウドネス
- -13.307 dB
まとめ
Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani made "Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro)" available on 1955. The duration of Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #1. In terms of popularity, Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) テンポ
With Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) by Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) キー
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | |
 | Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM | |
 | Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | |
 | Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | |
 | Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, Fiorello? ... Mio signore ... (Conte/Fiorello/Coro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 112 BPM | |
 | Carmen / Act 1: Marche et Choeur des gamins: "Avec la garde montante" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben | D Minor | 1 | 7A | 121 BPM | |
 | Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records