"Robert le diable, Act 3: "Voici donc les débris du monastère" (Bertram)" by Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren was released on November 19, 2013. With Robert le diable, Act 3: "Voici donc les débris du monastère" (Bertram) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Francesco Pittari, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren's "Meyerbeer: Robert le diable" album is number 35 out of 60. In terms of popularity, Robert le diable, Act 3: "Voici donc les débris du monastère" (Bertram) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robert le diable, Act 3: "Voici donc les débris du monastère" (Bertram) by Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco) | Giacomo Meyerbeer, Jussi Björling, Orchestra, Nils Grevillius, Unidentified Orchestra | D♭ Major | 2 | 3B | 129 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM |