On May 20, 2009, the song "Y las Moriscas Mujeres" was released by Juan del Encina, Eduardo Paniagua, Cesar Carazo, Felipe Sánchez, David Mayoral, Música Antigua. With Y las Moriscas Mujeres being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zambra de Moriscos by Música Antigua, Eduardo Paniagua. The song's track number on the album is #5 out of 20 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, Y las Moriscas Mujeres's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Y las Moriscas Mujeres by Juan del Encina, Eduardo Paniagua, Cesar Carazo, Felipe Sánchez, David Mayoral, Música Antigua has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Y las Moriscas Mujeres being at 158 テンポ, the half-time would be 79 テンポ with a double-time of 316 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
Ay triste que vengo: Juan del Encina | Juan del Encina, Nancy Hadden, Emily Van Evera, Erin Headley, Paula Chateauneuf, Andrew Lawerence King | A Minor | 1 | 8A | 83 BPM | ||
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM |