"Niobe, regina di Tebe: "Amami, e vederai"" by Agostino Steffani, Cecilia Bartoli, Rosario Conte had its release date on January 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis's "Mission (Deluxe Version)" album is number 5 out of 27. In terms of popularity, Niobe, regina di Tebe: "Amami, e vederai" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Niobe, regina di Tebe: "Amami, e vederai" by Agostino Steffani, Cecilia Bartoli, Rosario Conte to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enrico Leone: Dopo tanti perigli | Agostino Steffani, Capella Agostino Steffani, Ralf Popken, Gerhard Faulstich, Lajos Rovatkay | F♯ Major | 1 | 2B | 96 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 91 BPM | ||
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
Farewell Love | Agostino Steffani, Johann Christoph Pepusch, Evelyn Tubb, Anthony Rooley | C Minor | 0 | 5A | 89 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (Orfeo, Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Minor | 2 | 10A | 89 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Mia fiamma, mio ardore" (Anfione, Niobe) | Agostino Steffani, Philippe Jaroussky, Karina Gauvin, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Orchestra | D Minor | 1 | 7A | 168 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
"Gottes Zeit ist die allerbeste Zeit" (Actus tragicus) BWV 106: Sonatina | Johann Sebastian Bach, Ton Koopman | G Minor | 1 | 6A | 115 BPM |