"Lord of the Dance" by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble had its release date on September 1, 1991. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lord of the Dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lord of the Dance by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM | ||
Khorhoot Khorin: O, Mystery Deep (Choir) | Paros Chamber Choir, Raffi Mikaelian | F♯ Minor | 0 | 11A | 62 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Ad Completorium: Canticum Simeonis "Nunc dimittis" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 0 | 7B | 88 BPM | ||
Five Hebrew Love Songs: Rakút (Tenderness) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 92 BPM | ||
Presanctified Liturgy: Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B♭ Minor | 1 | 3A | 170 BPM | ||
Sourp Sourp (Holy Holy) | St.Petersburg Chamber Choir | C Major | 2 | 8B | 130 BPM | ||
Le Basque (arr. for flute and harp) | James Galway, Marin Marais, Wayne Hedrick, Hye Hun Chung Bennett | F Major | 2 | 7B | 120 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM |