David Robertson, Malcolm Sparrow-Crawford made "Chapter 7 - Strangers - The Reckoner 1" available on October 15, 2019. The duration of Chapter 7 - Strangers - The Reckoner 1 is about 3 minutes long, at 3:07. Based on our data, "Chapter 7 - Strangers - The Reckoner 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 153 in the song's album "Strangers [The Reckoner 1 (Unabridged)]". In this album, this song's track order is #7. In terms of popularity, Chapter 7 - Strangers - The Reckoner 1 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 7 - Strangers - The Reckoner 1 by David Robertson, Malcolm Sparrow-Crawford having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Chapter 84 - Ghosts - The Reckoner 3 | David Robertson, Malcolm Sparrow-Crawford | B Minor | 1 | 10A | 82 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Victor Julien-Laferrière, Orchestre National De France, David Robertson | F♯ Major | 2 | 2B | 112 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | ||
Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
Je Te Veux : Je Te Veux | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 112 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM |