"Lakmé: Duo des fleurs. "Sous le dôme épais"" by Ronan Maillard, Orchestre Philharmonique de Bruxelles, Sarah Bloch, Fanny Crouet was released on September 18, 2015. With this song being about 5 minutes long, at 4:53, "Lakmé: Duo des fleurs. "Sous le dôme épais"" by Ronan Maillard, Orchestre Philharmonique de Bruxelles, Sarah Bloch, Fanny Crouet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ronan Maillard, Orchestre Philharmonique de Bruxelles's "Marguerite (Bande originale du film)" album is number 2 out of 20. On top of that, France appears to be the country where this track was created. Lakmé: Duo des fleurs. "Sous le dôme épais" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lakmé: Duo des fleurs. "Sous le dôme épais" by Ronan Maillard, Orchestre Philharmonique de Bruxelles, Sarah Bloch, Fanny Crouet to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux interdits (Romance) | Narciso Yepes | A Minor | 1 | 8A | 109 BPM | ||
La Traviata: Choeur des bohémiens | Orchestre symphonique de la Radiodiffusion bavaroise | A Major | 2 | 11B | 122 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Hidden Treasures | Ronan Maillard | E♭ Major | 4 | 5B | 82 BPM | ||
O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
Ich habe genug, BWV 82: I. Aria. Ich habe genug | Johann Sebastian Bach, Matthias Goerne, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 76 BPM | ||
Résilience | Maxime Lebidois, Ronan Maillard | E Minor | 1 | 9A | 60 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM |