"Winterreise, D. 911: No. 3, Gefrorne Tränen" by Franz Schubert, Andrè Schuen, Daniel Heide had its release date on May 17, 2024. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Winterreise, D. 911: No. 3, Gefrorne Tränen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schubert: Winterreise". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Winterreise, D. 911: No. 3, Gefrorne Tränen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, D. 911: No. 3, Gefrorne Tränen by Franz Schubert, Andrè Schuen, Daniel Heide having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in C Minor: III. Intermezzo. Allegretto | Ralph Vaughan Williams, Verdi Quartett | G Major | 1 | 9B | 82 BPM | ||
La niña abandonada: La niña abandonada | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | E Major | 3 | 12B | 82 BPM | ||
Ständchen "Horch, horch, die Lerch!" D. 889 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 4 | 6B | 96 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
5 Lieder, Op. 48: No. 1, Freundliche vision | Charlotte Hoather | D Major | 1 | 10B | 94 BPM | ||
Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 104 in D Major, Hob. I:104 "London": III. Menuet. Allegro - Trio | Joseph Haydn, Orchestra of St. Luke's, Sir Charles Mackerras | D Major | 0 | 10B | 185 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 3, Im Treibhaus | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Die schöne Müllerin, D. 795: No. 7, Ungeduld | Franz Schubert, Andreas Schmidt, Rudolf Jansen | D Major | 0 | 10B | 90 BPM |