Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge's 'Rigoletto / Act 2: "Possente amor"' came out on January 1, 1971. The duration of Rigoletto / Act 2: "Possente amor" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Rigoletto / Act 2: "Possente amor"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge. The song's track number on the album is #3 out of 29 tracks. Based on our statistics, Rigoletto / Act 2: "Possente amor"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 2: "Possente amor" by Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Rigoletto / Act 2: "Possente amor" being at 135 テンポ, the half-time would be 68 テンポ with a double-time of 270 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Major | 2 | 4B | 106 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo" | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 3 | 7B | 109 BPM |