"A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale"" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra was released on January 1, 1967. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Billy Budd: Blow her away, Blow her to Hilo (Red Whiskers/Chorus/Billy/Donald/Dansker) | Benjamin Britten, Daniel Harding, London Symphony Orchestra | F Minor | 4 | 4A | 73 BPM | ||
Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Poulenc: Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Richard Hickox, Westminster Singers, City of London Sinfonia | A♭ Major | 0 | 4B | 92 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Pur Ti Miro | Claudio Monteverdi, Craig Leon, Natasha Marsh, Fernando Lima, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
Vieille priere bouddhique | Lili Boulanger, Martial Defontaine, Namur Symphonic Choir, Luxembourg Philharmonic Orchestra, Mark Stringer | F Minor | 1 | 4A | 71 BPM | ||
Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM |