Johann Sebastian Bach, Göran Söllscher's 'Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 4. Sarabande' came out on January 1, 1992. The duration of Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 4. Sarabande is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 4. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 4 out of 18. In terms of popularity, Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 4. Sarabande is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 4. Sarabande by Johann Sebastian Bach, Göran Söllscher to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: IV. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | E Major | 1 | 12B | 80 BPM | ||
Suite en La: Cinquième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 84 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
5 Preludes, W419: No. 1 In E Minor | Heitor Villa-Lobos, Göran Söllscher | E Major | 1 | 12B | 64 BPM | ||
Recorder Trio in B-Flat Major, TWV 42:B4: I. Dolce (Arr. For Recorder, Lute, Cello & Harpsichord) | Georg Philipp Telemann, Dan Laurin, Mogens Rasmussen, Leif Meyer | A Major | 1 | 11B | 103 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Continuo in D minor, RV 540: 1. Allegro (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, Norbert Blume, English Chamber Orchestra, George Malcolm | D Minor | 0 | 7A | 65 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM |