"Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen"" by Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato was released on January 1, 2008. Since Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Romantic Arias". In this album, this song's track order is #6. Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" by Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 2: "Ella mi fu rapita...Parmi veder le lagrime" | Giuseppe Verdi, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 1 | 3B | 89 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM | ||
Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 173 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Der Kuss, Op. 128 | Ludwig van Beethoven, Fritz Wunderlich, Hubert Giesen | A Major | 2 | 11B | 131 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Komm in die Gondel (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer | C Major | 2 | 8B | 72 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM |