"Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano)" by Darius Milhaud, Arabella Steinbacher, Peter von Wienhardt was released on January 1, 2016. The duration of Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violino Latino by Arabella Steinbacher, Peter von Wienhardt. The song's track number on the album is #11 out of 18 tracks. Based on our data, Germany was the country where this track was produced or recorded. Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) by Darius Milhaud, Arabella Steinbacher, Peter von Wienhardt has a tempo of 39 beats per a minute, the tempo markings of this song would be Grave (very slow). With Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) being at 39 テンポ, the half-time would be 20 テンポ with a double-time of 78 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Serenade No. 3 in E Minor, Op. 21: IV. Finale alla Zingarese: Allegro con fuoco | Robert Fuchs, Cologne Chamber Orchestra, Christian Ludwig | E Minor | 2 | 9A | 156 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM |