Maria Callas's 'La Povera Mia Cena Fu Interrotta' came out on March 3, 2003. With La Povera Mia Cena Fu Interrotta being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maria Callas's "Maria Callas Live in Paris 1958" album is number 13 out of 17. Based on our statistics, La Povera Mia Cena Fu Interrotta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Povera Mia Cena Fu Interrotta by Maria Callas to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: "Orsu, Tosca, parlate" | Maria Callas | B♭ Major | 2 | 6B | 60 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Ponchielli: La Gioconda, Act 1: "E cantan su lor tombe!" (Barnaba, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 89 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | ||
Pagliacci: Recitar!...Vesti la giubba (Act I) | Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Spontini: La Vestale, Act 3: "Caro oggetto" (Julia) | Gaspare Spontini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 2 | 4B | 79 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM |