"А. Arensky, Ор. 40, No. 1, Cherubic Hymn" by St.Petersburg Chamber Choir, Nikolai Korniev was released on March 6, 2022. With this song being about 5 minutes long, at 5:12, "А. Arensky, Ор. 40, No. 1, Cherubic Hymn" by St.Petersburg Chamber Choir, Nikolai Korniev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Anton Arensky, Sacred compositions by St.Petersburg Chamber Choir, Nikolai Korniev. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. In terms of popularity, А. Arensky, Ор. 40, No. 1, Cherubic Hymn is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of А. Arensky, Ор. 40, No. 1, Cherubic Hymn by St.Petersburg Chamber Choir, Nikolai Korniev is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Infernale | Alexander Scriabin, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Missa l'homme armé super voces musicales: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 1 | 8A | 79 BPM | ||
Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM | ||
Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 60 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
The Heart's Reflection | Daniel Elder, Westminster Choir, Joe Miller | D Major | 1 | 10B | 123 BPM | ||
Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM | ||
Alleluia, Behold the Bridegroom | St. Petersberg Chamber Choir | C Major | 2 | 8B | 79 BPM | ||
Hypakoe (Kontakion of Pascha) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 116 BPM |