Gisle Kverndokk, Eyvind Skeie, Kirkens Korskole Nøtterøy, Kristin Vold Nese made "Eventyret om Vinteren; Hvem er den gutt som fødes (Barnesolister og alle korene)" available on March 20, 2015. The duration of Eventyret om Vinteren; Hvem er den gutt som fødes (Barnesolister og alle korene) is about 3 minutes long, at 3:13. Based on our data, "Eventyret om Vinteren; Hvem er den gutt som fødes (Barnesolister og alle korene)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Sommerens Maria". In this album, this song's track order is #12. The popularity of Eventyret om Vinteren; Hvem er den gutt som fødes (Barnesolister og alle korene) is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Eventyret om Vinteren; Hvem er den gutt som fødes (Barnesolister og alle korene) by Gisle Kverndokk, Eyvind Skeie, Kirkens Korskole Nøtterøy, Kristin Vold Nese having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Alt, alt, absolutt alt | Original Cast of Frendelaus - Musikalen, Gisle Kverndokk, Øystein Wiik | A♭ Major | 5 | 4B | 78 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Sicilienne (arr. for brass ensemble by Roger Harvey) | Maria Theresia von Paradis, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Canzoni et sonate (1615): Sonata XIX a 15 | Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis | G Minor | 1 | 6A | 167 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Gloria I, Pt. 1 | Coro Laus Deo | B♭ Major | 4 | 6B | 174 BPM |