Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina made "La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice)" available on January 1, 2009. The duration of La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Scarlatti, A.: Giuditta (La) [Opera]". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. In terms of popularity, La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice) by Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 6. *Aria. (Poco mosso, sempre dolce e leggiero) - Ritornello* - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | A Minor | 0 | 8A | 166 BPM | ||
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
O Sing Unto the Lord, Z44: Symphony - O Sing - Sing Unto the Lord - The Lord is Great - O Worship - Tell it Out | Henry Purcell, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): III. Sarabanda: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 113 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VI. La bagatelle | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM |