"Nachtstücke und Arien: 4. Aria II" by n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO was released on 2001. Since Nachtstücke und Arien: 4. Aria II is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO's "Hans Werner Henze: Drei sinfonische Etüden / +" album is number 11 out of 13. On top of that, Germany appears to be the country where this track was created. Nachtstücke und Arien: 4. Aria II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nachtstücke und Arien: 4. Aria II by n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Nachtstücke und Arien: 3. Nachtstück II | n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO | G Minor | 0 | 6A | 78 BPM | ||
Broken Glass / Miss T. / The Ice | Bernard Herrmann, Fernando Velázquez, Basque National Orchestral | D Minor | 4 | 7A | 79 BPM | ||
Katharsis | Harald Weiss, n/a | A Major | 5 | 11B | 102 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Petite pièce, L. 120 | Claude Debussy, Michael Collins, Michael McHale | F Major | 1 | 7B | 113 BPM | ||
Reminiscentia / Autumn Landscapes: V. Wind Along the Heath | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 97 BPM | ||
Ice | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Piano Concerto: III. Charleston. Allegro vivace | Jaroslav Ježek, Czech Radio Symphony Orchestra, Jaromír Nohejl, Jan Novotný | C Major | 3 | 8B | 102 BPM |