"The Tender Land (Opera in Three Acts): Act 1: Moderate tempo" by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic was released on February 16, 2024. With this song being about 5 minutes long, at 4:38, "The Tender Land (Opera in Three Acts): Act 1: Moderate tempo" by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 17 in Copland: The Tender Land by Aaron Copland, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Tender Land (Opera in Three Acts): Act 1: Moderate tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Tender Land (Opera in Three Acts): Act 1: Moderate tempo by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM |